Metal Gear Flash
LaLiLuLeLo
i dont like its feet
thanks siskel, can we have anymore generic ****?I saw it on release two days ago. The movie was awesome, the handheld cinematography suited the film so well and was extremely well done. This movie is intense and will keep you on the edge of your seat, to say the least.
No, why? Because I asked for an information?Do you think Bf is some homo receptionist that will cater to your whim BE?
90 minutes i believe
BE, this was my best hope at finding anything
Yahoo! Answers - Roar (Cloverfield Overture)?
so i guess just wait a little longer
J.J Abrams was quoted saying that the creature was a baby -disoriented and confused and cranky- and that at the beggining, when the little parasites fall off, its because Clover is rubbing itself against buildings as some sort of birth ritual to "clean" itself.Does anyone think they are even going to touch down on the reason of this beast arrival or ascension on earth?
I believe it has something to do with those little baby things.
Possibly it has come back after it laid its eggs millions of years ago.
alright, i'll accept that, makes sense that those little things are parasites.... but how did it Awake or get to clover field.... and when you say "Clover" rubbing against buildings you mean the monster?J.J Abrams was quoted saying that the creature was a baby -disoriented and confused and cranky- and that at the beggining, when the little parasites fall off, its because Clover is rubbing itself against buildings as some sort of birth ritual to "clean" itself.
Share your opinion, douchebag. I liked the movie and i'm not gonna write an essay.thanks siskel, can we have anymore generic ****?
CS: What were the specific visual inspirations for YOUR monster?
Reeves: We hired this guy Neville Page to design the monster, and he is a genius. We would go into his office and he would have what I affectionately referred to as his "Wall of Terror". On the wall were all sorts of bits of color, and as you got closer suddenly your interest turned to revulsion because those pictures were like pictures of intestines and eyeballs and pieces of animals. What he was doing was having a biological, evolutionary basis for every aspect of the creature. That was really cool because there are parts of the monster that can do things that we actually didn't have a place for in the movie, that's how thoroughly designed he was.
The key to it is that the monster was a baby. The monster was suffering from separation anxiety and was absolutely disoriented and pissed, "where's mommy?", and terrified. That was the most important aspect of the creature. Not only was he furious and in a rage but he was scared, because to me there's nothing scarier than something huge that's spooked. If you're at the circus and the elephants are going nuts you don't want to be near them. We talked with Neville about the idea of how when a horse gets spooked you see the whites under the bottom of its eye. He fleshed out those sort of details. We talked about wanting the monster to be different in that it was white. All these different aspects which were important to us. It developed in many different ways and it came down to what Neville was doing which was amazing.
CS: Any possibilities for a "Cloverfield" sequel?
Reeves: This was so fun 'cause we'd never done anything like it, and I think we'd want to find a similar challenge, to find a way to have its roots in this but be fresh and new, otherwise you're just repeating yourself. There's a moment on the Brooklyn Bridge, and there was a guy filming something on the side of the bridge, and Hud sees him filming and he turns over and he sees the ship that's been capsized and sees the headless Statue of Liberty, and then he turns back and this guy's briefly filming him. In my mind that was two movies intersecting for a brief moment, and I thought there was something interesting in the idea that this incident happened and there are so many different points of view, and there are several different movies at least happening that evening and we just saw one piece of another. That idea sort of tickled me. We'll have to see if anyone would want a sequel. If the movie does well and we find a compelling reason to do so then it would be fun to do a sequel.
Did you see the thing in the last shot? In the final shot there's a little something, and I don't wanna say what it is. The final shot before the titles. The stuff at Coney Island, there's a little something there and I don't want to give it away 'cause the fun is sort of to find it, but I will say this: there's a funny thing, you look at the shot and until you see it you don't see it and you really don't see it and obviously you don't 'cause none of you have seen it, but once you see it you'll never stop seeing it.
CS: It's the thing dropping in the water, right?
Reeves: Ahh, you saw it.
Same.peeps tellin me it sucks =/